The golds of Saddam, the last booties of the Iraqi war, are smuggled into Turkey by hidden in the cotton. Blind workers are used to pick the gold from the cotton but the smugglers try to prevent any possible thefts by telling the workers that it is rock they are picking from the cotton. They don't know that there's a seeing eye among the blind workers.

Four Valentine's Days. Four stages of bulimia. Four bad, co-dependent dates with Jack. Angela is stuck in a seemingly endless cycle of her eating disorder: starve, binge, purge, repeat. With each day representing a different stage, Angela tries desperately to navigate both her friendship with her best friend and roommate, Kate and her co-dependent relationship with her very own St. Valentine over a four year period.

Jeff has a crush on a girl that's way outside his social class but he won't let that stop him. He'll do whatever it takes, including breaking a few rules.

In 1935, a storm caused an English ship carrying coal to run aground in Bizkaia. Residents of Algorta gathered to rescue the coal, but Sabas Jauregui ignored their pleas and dragged his children into the storm.

Who has never heard of pregnancy denial? This condition, often caused by miscellaneous circumstances, escapes our understanding and even science. How can the mind of a pregnant woman hide a child growing in her body?

Weaves the tale of paroled prisoner Clayton Sykora's first day as a free man; it is a story of longing to belong while knowing you're not welcome to stay.

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus’ windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus’ windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

Thomas is seduced by Julie and tells her stories in which he was involved or that he witnessed. All of them pose the question of what links and binds us to each other. But are we capable of perceiving this singular and poetic mystery?